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Birth of Bergamo actor Cesare Danova


Cesare Danova in his debut film, The Captain's Daughter, with co-star Irasema Dilián
Cesare Danova in his debut film, The Captain's
Daughter,
with co-star Irasema Dilián
The handsome Cesare Danova, who appeared in more than 300 films and TV shows, was born Cesare Deitinger on this day in 1926 in Bergamo.

The son of an Austrian father and an Italian mother, the actor adopted Danova as his professional name after meeting the film producer, Dino de Laurentiis, in Rome.

De Laurentiis gave him a screen test and was so impressed he immediately cast Danova in the 1947 movie The Captain's Daughter, playing alongside established Italian film actor Amedeo Nazzari and the relative newcomer, Vittorio Gassman.

So began a career that was to see Danova star opposite Elizabeth Taylor and Richard Burton in Joseph L Mankiewicz's 1963 hit Cleopatra, opposite Elvis Presley and Ann-Margaret in Viva Las Vegas (1964), alongside Robert De Niro and Harvey Keitel in Martin Scorsese's cult movie Mean Streets (1973) and as part of a star-studded cast in National Lampoon's Animal House (1978).

In his later years, Danova became a familiar figure on TV screens in America, making appearances in almost all the popular drama series of the 1980s, including Charlie's Angels, Murder, She Wrote, Falcon Crest, Hart to Hart and Mission: Impossible.

He never retired and had appeared in an episode of In the Heat of the Night shortly before he died in 1992 of a heart attack, aged 66.

Cesare Danova in the 1960s, by which time he was a well-established star of film and TV
Cesare Danova in the 1960s, by which time
he was a well-established star of film and TV
Danova was an individual blessed with a wide range of talents. He spoke five languages, was a licensed pilot and a self-taught painter.

Standing 6ft 4ins (1.93m) tall, he was also an accomplished athlete, winning a fencing championship at the age of 15 and playing for the Italian national rugby team at 17. He was also a good golfer and tennis player, an amateur swimming champion, an expert horseman and polo player, and a master archer.

He might have made a career in professional sport but his parents wanted him to become a doctor.  While studying at Rome University, he became interested in acting, but was so determined not to disappoint his parents he pushed himself so hard in his academic work he suffered a nervous breakdown.

It was while he was recuperating that a friend introduced him to De Laurentiis, by then an up-and-coming producer, whose gamble on giving this unknown a part in a prestigious title paid off, launching Danova as a kind of Italian Errol Flynn, cast as the dashing lead in about 20 Italian action-romance movies.

Danova moved to the United States in the 1950s. He had been spotted by MGM when appearing in the German-backed 1955 movie Don Giovanni and signed a long-term contract with the studio in June 1956.

Danova (left) on the set of Mean Streets with Harvey Keitel and director Martin Scorsese
Danova (left) on the set of Mean Streets with Harvey
Keitel and director Martin Scorsese
When he was cast in Cleopatra as one of a trio of lovers vying for the Egyptian queen’s attention alongside Rex Harrison's Julius Caesar and Richard Burton's Marc Antony, he filmed a number of love scenes with Elizabeth Taylor. But after a real-life romance between Taylor and Burton made headlines, the producers decided they needed to exploit the Burton-Taylor chemistry and most of Danova's scenes ended up on the cutting room floor.

But he later won acclaim as the Mafia Don Giovanni Cappa in Mean Streets, Scorsese's brilliant story about life among the small-time hoods in New York , and as corrupt mayor Carmine DePasto in Animal House.

Married twice, Danova had two sons, Marco and Fabrizio, by his first wife, Pamela.


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1 comment:

  1. Interesting indeed, sad he died so early. I wonder what happened to his two boys, I mean whether if they got involved in acting like their father or not? I just saw (for the second time, in 40 years) the film *Mean Street*.

    By the way; needless to say that I warship Martin Scorsese’s works as much as the giants Harvey Kietel and Di Nero, but seriously, especially by today’s standards, I don’t understand how the film "Mean Street" made 3 million in 1973 and became a colt movie? The dialogue is repetitively boring, overwhelmed by cut-in Music intervals and on top the fight sceens are very poor and almost comic !

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